Tag Archives: dark

Creating Encounter in Colour: Dark Purple

 

Inner PeaceThe intricate patterns of the world cushion you, and fall away from you like fields under a rising hawk, as you close your eyes and head for another plane. The door is shut, and the ornate and frivolous are lost to you. Instead now the simplicity of semi-darkness will reveal its shapes and colours, as you sense the heaviness of draped eyelids and the feel the curve of world-weariness settling around the base of your inner eye.

Here is a dark purple iris place, now that your light is filtered by flesh and blood. Veins feed your imagination in a guided meditation and you are able to flush away the stress of life’s burdens into glands and ducts. To replace them comes a flow of peace, in soft magenta.

If you stay here long enough, cross-legged and calm, every breath aching with gratitude, you may beat away the butterfly distractions with gentle returns to centre, and start to grow roots into the good and quiet earth, humming softly with life. You may become so captivated by the velvet darkness that you will be ever more attracted to gravity, and yet lighter than the elements.

What soft light breaks into your stillness of mind and the awareness of every cell? And can you now, in the ruby pink melon-fleshed atmosphere, smile without using your lips, and sing of the unity you sense above, below and all around, without making a sound?

Above you, outside of you, a new focus forms, and rings clarity like a soft silver bell, echoing out.

 

Text © Keren Dibbens-Wyatt  Composite art by R R Wyatt  © used with permission.

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134. Silhouette (Light 7)

silhouette

Silhouettes are a way of using the contrast between light and its absence to make us focus more on the dark, and use the light as a background. This is odd, when you think about it, it rather goes against the grain of our conditioned thinking, the same as when artists use negative space. I personally love the work of Lotte Reiniger and Jan Pienkowski, who are masters of the silhouette, used for storytelling, and am hoping to use the same concept in some of my art and illustration.

text and photo © Keren Dibbens-Wyatt 2017

 

31: Cave Man

31 cave stocksnap

He attacked them viciously and slaughtered many of them. Then he went down and stayed in a cave in the rock of Etam.” Judges 15:8

I am thinking about caverns, the places we hide ourselves or retreat to today, and this example from the life of Samson intrigued me. When we’ve been through something traumatic or exhausting, a cavern seems like a good place to be. We often draw ourselves in, like a snail into its shell, treating our own bodies or homes as a sanctuary, a place to lick our wounds or just take some time to breathe and recover ourselves.

For some of us, this can take many years. I often see it written or hear it said that men need “cave time” after confrontation or difficulty, but I think the same is true of women too, and even children do this. But an interior place of silence where we feel we can protect ourselves and defend our ground, is a very useful life-tool to have, and sadly, few emotional outlets are deemed acceptable to men, so perhaps this is why this one is well-used by them in particular. But these caves we hole ourselves up in are meant to be temporary: places of respite and restoration.

Staying here for long periods of time can lead to an isolation and seclusion that may become unhealthy for us. I guess it really depends on why we are there, why we are drawn back into our shells. These places can become a breeding ground for self-pity or a foundation for a deeper relationship with the Lord. If we find ourselves sickened by the violence of the world (including our own, as perhaps Samson felt), then time set aside in solitude and silence can become a hermitage, a place of peace and prayer.

So as with anything in life, it is about recognising seasons and not outstaying them. I find this a hard truth to take in today, since my life for the last twenty years has been an enforced cave dwelling, with my chronic illness keeping me hidden away from the world. I have come to love the quiet and hate the busy-ness of the world, and don’t have the energy to partake in society in any case. I hope I have used some of my cave time well, becoming a contemplative creative. God has certainly used my setting aside to mould me better into my true self. Perhaps I shall remain a recluse. But if the seasons change, my health improves and I feel the light at the entrance intriguing or calling me, I might venture out into new pastures.

All timings are the Lord’s and he uses our times of society and of seclusion for good, if only they are given over to him. So even in the recesses of our caverns, in the dark and failing light, we can say, “Thy will be done, on earth as it is in heaven.”

 

©Keren Dibbens-Wyatt

Photo from stocksnap.com

170: Moat

SONY DSC
Photo by Jusben on http://www.morguefile.com

A ring around the Roses, river going nowhere, ouroboros snaking its way back to the start, over and over again. Goldfish asking, “Haven’t we been here before?” and “Are we nearly there yet?” like children in the back seat. Defence is the best offence, they say, full of eels and pike, slippery slopes and spiked jaws, ready to snap into action. Steep sides and woebetide anyone who clambers down in the drunken dark, larking for a swim and a kiss with the deep.

But what really stands between the inner sanctum and the world, the only boundary, the thinnest skin, the softest veil? A curtain of water, swirling thoughts and eddying pretences. And even if we drained you, wouldn’t we just be staring disappointedly into a muddy mire, fins faintly flapping here and there? Best you carry on going in circles then, and let the lilies float, remembering what is at stake and using the drawbridge when needs must.

© Keren Dibbens-Wyatt 2016